{"id":19848,"date":"2026-10-13T12:43:03","date_gmt":"2026-10-13T10:43:03","guid":{"rendered":"https:\/\/www.renzofreschi.com\/?p=19848"},"modified":"2026-10-15T11:41:48","modified_gmt":"2026-10-15T09:41:48","slug":"the-mysterious-charm-of-haniwa-statues","status":"publish","type":"post","link":"https:\/\/www.renzofreschi.com\/en\/the-mysterious-charm-of-haniwa-statues\/","title":{"rendered":"THE MYSTERIOUS CHARM OF HANIWA STATUES <br> by Renzo Freschi"},"content":{"rendered":"<div class=\"wpb-content-wrapper\" id=\"wpb-content-root\"><p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_separator type=&#8221;normal&#8221; color=&#8221;#B09531&#8243;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">I have always been fascinated by the most ancient forms of Asian cultures\u2014for example, the Mother Goddesses of the Indus Valley, the Thai pottery of the Ban Chiang period, and the simple austerity of the earliest Chinese terracotta statues. \u00a0A few years ago, I happened to come across a Japanese terracotta statue in Paris that struck me with its powerful simplicity. In the realm of Japanese art, I have focused on theatrical masks (on which I curated an exhibition titled \u201c<a href=\"https:\/\/www.renzofreschi.com\/en\/publications\/\">The Masks of the Soul<\/a>\u201d in 2015) and Buddhist sculpture.<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: justify;\">That statue, so unusual to me, fascinated me; it transported me to an unknown world with its form that was so archaic yet also extremely modern. In this sense, it reminded me of certain ethereal female figures by a well-known Italian artist, Massimo Campigli. I therefore decided to purchase it, and upon studying it, I discovered that it dated back to the 5th century\u2014almost to the very origins of Japanese art. It is a hollow terracotta statue generically called a Haniwa (literally, \u201cClay Circle\u201d).<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_single_image onclick=&#8221;img_link_large&#8221; image=&#8221;19872&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221; qode_css_animation=&#8221;&#8221;][vc_column_text]<strong>HANIWA<\/strong>, a female figure, possibly a shaman.<br \/>\nJapan, Kofun period (250\u2013538)<br \/>\n5th\u20136th century<br \/>\nTerracotta, H 54 cm<br \/>\nPrice on request[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_single_image onclick=&#8221;img_link_large&#8221; image=&#8221;19923&#8243; img_size=&#8221;medium&#8221; qode_css_animation=&#8221;&#8221;][vc_empty_space height=&#8221;32px&#8221;][qode_elements_holder number_of_columns=&#8221;one_column&#8221;][qode_elements_holder_item advanced_animations=&#8221;no&#8221;]\n\n\t<a href=\"mailto:info@renzofreschi.com?subject=Haniwa%20female%20figure-%20Richiesta%20di%20info&#038;body=Nome%20=%20%0A%0ACognome%20=%20%0A%0ATelefono%20=%20%0A%0A\" target=\"_self\" style=\"background-color: #B09531\" class=\"qode-btn qode-btn-medium qode-btn-solid qode-btn-custom-hover-bg qode-btn-custom-hover-color qode-btn-icon qode-btn-default-hover\" data-hover-bg-color=\"#B09531\" data-hover-color=\"#2E3D7E\" >\n\t    <span class=\"qode-btn-text\">Richiedi info<\/span><span class=\"qode-button-v2-icon-holder\"  ><i class=\"qode_icon_font_awesome fa fa-envelope-o qode-button-v2-icon-holder-inner\" ><\/i><\/span>\t<\/a>\n\n[\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_single_image onclick=&#8221;img_link_large&#8221; image=&#8221;19873&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;center&#8221; qode_css_animation=&#8221;&#8221;][vc_column_text]On the back is a label from an old Japanese collection indicating the place of origin: Ibaraki Prefecture, Yachiyo Village.<br \/>\nCourtesy of the Mingei Gallery, Paris[\/vc_column_text][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_column_text]Haniwa statues were placed atop burial mounds where rulers and heroic warriors were buried; in this sense, they can be considered the Japanese equivalent of the Chinese Ming Qi (\u201cSpirit Objects\u201d) placed in the tombs of emperors and aristocrats. It is likely that both the Haniwa and the Ming Qi replaced the practice of sacrificing family members and officials, which had been carried out in the periods preceding the ruler\u2019s death. Haniwa were initially simple clay cylinders that, around the 5th century, were replaced by human figures wearing the clothing and uniforms of the time. They have simple, unadorned forms, lacking realism except for an accurate reproduction of costumes and armor, as if their purpose were to emphasize the rank, valor, and social status of the deceased. Some have stylized arms raised as if in a dance step. The eyes and mouth are simple holes and slits that give the face an expression of enigmatic spirituality, so much so that scholars have hypothesized that some Haniwa represent shamans\u2014intermediaries between the spirits of nature and humankind. This is a plausible hypothesis, given that Buddhism had not yet reached Japan in the 5th century and that its spread marked the end of this tradition.[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image onclick=&#8221;img_link_large&#8221; image=&#8221;19870&#8243; img_size=&#8221;medium&#8221; qode_css_animation=&#8221;&#8221;][vc_column_text]<strong>COURT LADY<\/strong><br \/>\nChina<br \/>\nEastern Han Dynasty (25\u2013220)<br \/>\nPolychrome terracotta<br \/>\nH. 66 cm.<br \/>\nPrice on request[\/vc_column_text][qode_elements_holder number_of_columns=&#8221;one_column&#8221;][qode_elements_holder_item advanced_animations=&#8221;no&#8221;]\n\n\t<a href=\"mailto:info@renzofreschi.com?subject=Court%20Lady-%20Richiesta%20di%20info&#038;body=Nome%20=%20%0A%0ACognome%20=%20%0A%0ATelefono%20=%20%0A%0A\" target=\"_self\" style=\"background-color: #B09531\" class=\"qode-btn qode-btn-medium qode-btn-solid qode-btn-custom-hover-bg qode-btn-custom-hover-color qode-btn-icon qode-btn-default-hover\" data-hover-bg-color=\"#B09531\" data-hover-color=\"#2E3D7E\" >\n\t    <span class=\"qode-btn-text\">Richiedi info<\/span><span class=\"qode-button-v2-icon-holder\"  ><i class=\"qode_icon_font_awesome fa fa-envelope-o qode-button-v2-icon-holder-inner\" ><\/i><\/span>\t<\/a>\n\n[\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][vc_column width=&#8221;1\/3&#8243;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column width=&#8221;1\/4&#8243;][vc_empty_space height=&#8221;32px&#8221;][vc_column_text]Haniwa statues are rare and hard to come by, so when, a few months ago, I was lucky enough to see this splendid male head at the home of a dear friend and colleague, I decided not to let the opportunity slip by and to pair it with the statue I\u2019d had for some time. The face is modeled with simplicity; only the nose and the protruding eyebrows give it volume. The eyes are long slits with a still, deep gaze. A flat headdress rests on the head, held in place by a braided cord, and a wide, ornate diadem stands out on the forehead\u2014a distinctive symbol of rank. This second purchase wasn\u2019t just driven by my fascination with the mystery of this head; it also served as an excuse to delve deeper into an intriguing topic that, as I usually do, I\u2019m pleased to share on my website.<\/p>\n<p>[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_single_image onclick=&#8221;img_link_large&#8221; image=&#8221;19874&#8243; img_size=&#8221;medium&#8221; alignment=&#8221;justify&#8221; qode_css_animation=&#8221;&#8221;][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><strong>HANIWA<\/strong>, male head<br \/>\nJapan, Kofun period (250\u2013538)<br \/>\n5th\u20136th century<br \/>\nTerracotta, H cm. 16<br \/>\nThomas Murray Collection, USA<br \/>\nPrice on request<\/p>\n<p>[\/vc_column_text][qode_elements_holder number_of_columns=&#8221;one_column&#8221;][qode_elements_holder_item advanced_animations=&#8221;no&#8221;]\n\n\t<a href=\"mailto:info@renzofreschi.com?subject=Haniwa%20male%20figure-%20Richiesta%20di%20info&#038;body=Nome%20=%20%0A%0ACognome%20=%20%0A%0ATelefono%20=%20%0A%0A\" target=\"_self\" style=\"background-color: #B09531\" class=\"qode-btn qode-btn-medium qode-btn-solid qode-btn-custom-hover-bg qode-btn-custom-hover-color qode-btn-icon qode-btn-default-hover\" data-hover-bg-color=\"#B09531\" data-hover-color=\"#2E3D7E\" >\n\t    <span class=\"qode-btn-text\">Richiedi info<\/span><span class=\"qode-button-v2-icon-holder\"  ><i class=\"qode_icon_font_awesome fa fa-envelope-o qode-button-v2-icon-holder-inner\" ><\/i><\/span>\t<\/a>\n\n[\/qode_elements_holder_item][\/qode_elements_holder][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_single_image onclick=&#8221;img_link_large&#8221; image=&#8221;19875&#8243; img_size=&#8221;medium&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column][vc_column width=&#8221;1\/4&#8243;][vc_single_image onclick=&#8221;img_link_large&#8221; image=&#8221;19924&#8243; img_size=&#8221;medium&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_empty_space][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_single_image onclick=&#8221;img_link_large&#8221; image=&#8221;19893&#8243; img_size=&#8221;medium&#8221; qode_css_animation=&#8221;&#8221;][vc_column_text]Tokyo National Museum[\/vc_column_text][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image onclick=&#8221;img_link_large&#8221; image=&#8221;19925&#8243; img_size=&#8221;medium&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column][vc_column width=&#8221;1\/3&#8243;][vc_single_image onclick=&#8221;img_link_large&#8221; image=&#8221;19894&#8243; img_size=&#8221;medium&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_separator type=&#8221;normal&#8221; color=&#8221;#B09531&#8243;][\/vc_column][\/vc_row][vc_row css_animation=&#8221;&#8221; row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; angled_section=&#8221;no&#8221; text_align=&#8221;left&#8221; background_image_as_pattern=&#8221;without_pattern&#8221;][vc_column][vc_column_text] I have always been fascinated by the most ancient forms of Asian cultures\u2014for example, the Mother Goddesses of the Indus Valley, the Thai pottery of the Ban Chiang&#8230;<\/p>\n","protected":false},"author":2,"featured_media":19852,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[32,57],"tags":[],"class_list":["post-19848","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-japan-en","category-newsletter-en"],"_links":{"self":[{"href":"https:\/\/www.renzofreschi.com\/en\/wp-json\/wp\/v2\/posts\/19848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.renzofreschi.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.renzofreschi.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.renzofreschi.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.renzofreschi.com\/en\/wp-json\/wp\/v2\/comments?post=19848"}],"version-history":[{"count":18,"href":"https:\/\/www.renzofreschi.com\/en\/wp-json\/wp\/v2\/posts\/19848\/revisions"}],"predecessor-version":[{"id":19926,"href":"https:\/\/www.renzofreschi.com\/en\/wp-json\/wp\/v2\/posts\/19848\/revisions\/19926"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.renzofreschi.com\/en\/wp-json\/wp\/v2\/media\/19852"}],"wp:attachment":[{"href":"https:\/\/www.renzofreschi.com\/en\/wp-json\/wp\/v2\/media?parent=19848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.renzofreschi.com\/en\/wp-json\/wp\/v2\/categories?post=19848"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.renzofreschi.com\/en\/wp-json\/wp\/v2\/tags?post=19848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}